I. REINHARD RÜRUP – OBITUARY
CLAUDIA BUCHWALD: Reinhard Rürup—Ambassador Between Worlds: 27 May 1934–6 April 2018
II. BEYOND THE NEGATIVE SYMBIOSIS: GERMAN–ISRAELI RELATIONSHIPS IN FILM
OFER ASHKENAZI: Introduction
TOBIAS EBBRECHT-HARTMANN: Projected Encounters: Rolf Vogel and the Beginnings of Cinematic Relations between Germany and Israel
LISA SCHOẞ: ‘Israel’ in East German Fiction Film
HILLA LAVIE: A Critical Look at the Beloved Land: Two West German Documentary Films Made by Israelis in the 1960s and 1970s
III. MODERNITY AND THE ‘JEWESS’: GERMAN-JEWISH WOMEN’S WRITING IN THE FIRST HALF OF THE TWENTIETH CENTURY
GODELA WEISS-SUSSEX: Introduction
FLORIAN KROBB: Rupture and Dissolution: Gertrud Kolmar’s Prose Works and Modernity
ELIZABETH BOA: Modernity and German-Jewish Identity in Gabriele Tergit’s ‘Effingers’
ROBERT GILLETT: Lessons in Mourning: Elsa Bernstein’s Memoir of Theresienstadt
ANDREA HAMMEL: Negotiating the ‘I’ and the ‘We’: Aspects of Modernism in the Exile Novels of Anna Gmeyner and Martina Wied
IV. CULTURE AND ANTISEMITISM IN AUSTRIA
JULIA SECKLEHNER: Bolshevik Jews, Aryan Vienna? Popular Antisemitism in ‘Der Kikeriki’, 1918–1933
FRANCES TANZER: Performing the Austrian-Jewish (Negative) Symbiosis: Stella Kadmon’s Viennese Stage from Red Vienna to the Second Republic
V. ESSAYS
RENATE EVERS: ‘Der vollkommene Pferdekenner’, 1764: Jewish Horse Traders in the Margraviate of Brandenburg-Ansbach and their Language at the Threshold of Modernity
SAMUEL J. KESSLER: “Garrulous, lamenting, whiney, but always interesting”: Heinrich Graetz’s Evolving Characterizations of His Contemporaries from the ‘Diary’ to the ‘History of the Jews’
ZOHAR MAOR: Kohn’s Buber, Buber’s Kohn: Hans Kohn’s Biography of Martin Buber Revisited
ANNA HOLZER-KAWAŁKO: Jewish Intellectuals between Robbery and Restitution: Ernst Grumach in Berlin, 1941–1946
VI. VOICES FROM THE PAST
TIM CORBETT: Gustav Cohn’s Jewish Cemetery: A Cultural History
