Art History as an academic discipline in Britain is commonly regarded as a German import. Before the 1930s, British art writing was the domain of the amateur and connoisseur. This only changed radically with the influx of émigré scholars – most of them of German-Jewish descent – to Britain after 1933. These highly skilled professional art historians played a pivotal role in developing the research and teaching programmes of both the Warburg and Courtauld Institutes.
The project Innovation and Acculturation: the Émigré Art Historians and Britain aims to reappraise and – where appropriate – to challenge the received narrative about the history of art history in Britain.
Its aim is to situate the work of the German (-Jewish) émigré art historians in a wider sociology of British Academia, and the intellectual debates within and beyond art historical scholarship. The project seeks to re-evaluate just how ‘German’ British art history became between 1920 and 1970.…